KERMIT LYNCH WINE MERCHANT

Domaine Les Mille Vignes

Not until Jacques Guérin retired from his post as an oenology professor in Orange did he found Domaine Les Mille Vignes. In the late 1970s, he moved to the tiny Languedoc-Roussillon village of La Palme, just a stone’s throw from the Mediterranean. Soon after, he began producing wine from nearby Fitou and Rivesaltes. The wines produced in the area at the time were certainly not driven by quality, but Jacques saw potential in the terroir and had a vision to revitalize his vineyards, focusing on low yields and organic principles, convinced that he would soon be able to produce great wine. Today, Jacques’ daughter, Valérie Guérin has carried on his ethic in the vineyard and cellar.

Fitou produces exclusively red wine and in 1948, became the first Languedoc AOC. The terroir is an amalgam of strong natural elements: clay, limestone, and schist soils; wild scrubland scented with thyme and lavender, and perhaps the most potent force of all, Tramontagne—a fierce wind that sometimes seems it will never stop blowing. Rivesaltes and Muscat de Rivesaltes are both Vin Doux Naturels (a designation for naturally sweet wines from southern France) and are produced within the borders of the Fitou appellation. Rivesaltes can be a variation of colors and styles, though always sweet and fortified like its Muscat counterpart.

Valérie’s wines have gained an ardent following in Paris and it was from the sommelier at the Parisian restaurant “Frenchie” that Kermit first heard of Les Mille Vignes. During the summer of 2013 Kermit visited the domaine and returned saying that “everything I tasted was beyond marvelous.” These are the wines that he raved about in his 2013 NY Times Magazine interview. The addition of Les Mille Vignes to our portfolio not only geographically fills in the space between Banyuls and Corbières but adds true depth and variety to our wines from the Languedoc-Roussillon.

Thomas Jefferson imported impressive quantities of such wines for his own cellar.

Antoine-Marie Arena

The path to becoming a vigneron was a natural one for Antoine-Marie Arena, son of famed Corsican producer Antoine Arena. Growing up at the family domaine in Patrimonio, Antoine-Marie enjoyed constant exposure to the wine world through his father’s work, gaining additional valuable insight from the countless other vignerons, sommeliers, importers, and other guests to stop by the domaine and enjoy a glass or two on the Arena terrace.

In addition to his experience on his native Ile de Beauté, Antoine-Marie studied viticulture and enology in Hyères and further broadened his competences with internships in both Burgundy and Provence. In the early 2000s, he and his brother Jean-Baptiste joined their father at the domaine full-time.

As of the 2014 vintage, the Arenas have divided their holdings evenly between Antoine, Antoine-Marie, and Jean-Baptiste. The decision came naturally: in a typically Corsican spirit of self-reliance, Antoine’s sons will carry on the family tradition through their very own domaines, enjoying the autonomy to work the way they desire while maintaining close family bonds and a free exchange of ideas. “Although working as a family is great, the spirit of liberty and independence guided us in this decision,” explains Antoine-Marie. Choosing who would work which of the family’s numerous lieux-dits proved an easier task than one might expect. In fact, the three easily agreed as to how they should divvy up the Arena holdings, each claiming his favorite parcels to look after separately. “The method of working is essentially the same, but this way each of us takes more and more liberty with our respective parcels and with the vinifications,” he elaborates.

While Antoine-Marie continues to embrace his father’s philosophy—farming organically and applying a light hand in the cellar—managing his own domaine will also allow more freedom to pursue fresh ideas. He has already begun construction of a new cellar, right across the street from the family home, destined for crafting exclusively his own wines. The extra working space will allow him to experiment with new methods of vinification, as Antoine-Marie shares his father’s innovative vision and creativity. The highly unusual, yet strikingly delicious Vin de France Hauts de Carco, a skin-macerated infusion of Vermentinu from his steepest, rockiest vineyard, is a promising start from this young, passionate prodigy. There is no doubt the Arena legacy will live on through Antoine-Marie, symbolizing the best that Corsica’s terroir has to offer.

Yves Leccia

Yves Leccia has a certain presence and noble bearing to him, much like his wines. In France they have often been referred to as the “Rolls-Royce” of Corsican wines, a reputation earned after nearly 30 years of making consistently elegant and sophisticated wines.
Raised in a small village in the heart of Patrimonio, Yves worked alongside his father in the vines and cellar at the earliest age he could. The Leccias have been making wine from some of the finest terroirs of Patrimonio for countless generations, and there was never the least doubt in Yves’ mind that he would continue the tradition. Originally working alongside his sister, he decided to branch off on his own in 2004 and focus on the single terroir he felt was the top in Patrimonio. This terroir, “E Croce,” sits on a thin chalk soil above a thick bedrock of pure schist, facing the gulf of St. Florent. Yves is a firm believer in the idea that if you want something done right you need to do it yourself, and thus he tends to his vines alone and works the cellar by himself as well. He keeps his yields low, knows when to harvest, and knows how to let E Croce express itself in the wines. Not a single bottle comes out of the domaine that isn’t meticulously looked after from start to finish.
In Corsica, Yves is celebrated not only for his wines, but also for being a founding member of A Filetta, a legendary and proudly nationalistic Corsican polyphonic singing group. Spend some time with Yves and you won’t hear him boast or even talk much about his accomplishments. His name, Leccia, is Corsican for Oak. The name is ironic if you look at Yves’ wines, given that he’s never had his wine touch a single oak barrel and has never allowed wood to enter his cellar. The name is less ironic if you look at Yves himself, with his stoic manner and understated personality.
Kermit touts the aging capacity of Yves’ reds. He opened a 1998 in 2010 that he still talks about, comparing it to the best the south of France has to offer.

Domaine Arnaud Ente

That Arnaud Ente is not a household name in Burgundy is more a reflection of his tireless dedication to his métier than of the quality of his wines. For the Entes, it’s not about pursuing the spotlight, although he is unquestionably a rising star in the region. Arnaud and his wife, Marie-Odile, work primarily on their own to craft an exquisite range of micro-production white Burgundies from Meursault and Puligny-Montrachet. Precision, purity, elegance, and finesse are the best descriptors of the Ente style. Each vine is nurtured through every step of the yearly cycle, and each cru and village wine receives the exact same impeccable treatment; even the “entry-level” Aligoté and Bourgogne Blanc show the layered richness and complexity of a much more sophisticated appellation.
Their neighbors joke that they aren’t sure how the Entes put food on the table when they observe such minuscule yields. Their most extensive holdings are in the En L’Ormeau clos, located just below the town center of Meursault, which possesses a deep, rich clay soil. They separate their vines here into three cuvées, Meursault A.O.C., “Clos des Ambres,” and “Sève du Clos,” based on the age of the vines and their relative position within the clos. Their holdings also include parcels in the premier crus Meursault La Goutte d’Or and Puligny-Montrachet Les Referts, as well as a small parcel in the enviably-positioned lieu-dit Les Petits Charrons on the slope behind the village. Once the grapes are in the cellar, there is only a restrained use of oak to add subtle structure and texture. Though somewhat under the radar, this modest maestro makes wines that can already compete with the best and just keep getting better with each new vintage. And in our opinion here at KLWM, the Ente’s meticulousness and passion have earned them a place in our “Never Stops Improving” category.

Cantine Elvio Tintero

In 1900 a Frenchman named Pierre Tintero set out for Piedmont in search of work. He found an opportunity to do odd jobs at a small estate where widow Rosina Cortese was struggling to handle all the work herself. Pierre, called “Pietrin” by the locals, quickly became a vital part of the estate and also fell in love with the widow, whom he married two years later. The couple continued to work the vines together and bottled their own Dolcetto for the first time just as war fell in 1914. Years later their grandson would find a stash of this vintage hidden within the walls of the cellar, certainly a precaution against ransacking troops who passed through the area.
Pietrin and Rosina’s two sons, Giovanni and Carlo, eventually took over the estate and expanded it by purchasing adjacent vineyard plots. Moscato was just a tiny part of their production since it is only practical to produce it in large quantities, but after the Second World War giants Cinzano and Martini began producing the wine, so the brothers planted more of the variety to sell to these negociants while they continued bottling their still wines themselves. It was not until the 1980s that Carlo’s son Elvio began experimenting with the challenging process of frizzante wine production, allowing the family to take advantage of the grape’s special affinity to the local terroir. Elvio has now handed the reins over to the next generation, but he continues to help his son Marco and daughter-in-law Cinzia run the estate.
The commune of Mango is the heart of Moscato country, and 20 of the Tinteros’ 30 hectares are planted to this grape. Their largest parcel is in the Sorì Gramella vineyard, whose full southern exposure and gradient of more than 20% pamper the grapes with many long hours of sunshine, without even casting shadows from one row to the next as is the case in most vineyards. The resulting wine is delightfully fizzy and slightly sweet, an irresistible combination that makes it a universal favorite. Marco also maintains that same spirit in his other wines, which are all fresh, easy, and fun to drink with friends.

Dupéré Barrera

Unlike so many of our producers who were born into the trade, Emmanuelle Dupéré and Laurent Barrera did not start their careers in wine.  Emmanuelle was, and still is, a professional singer, and Laurent a geological engineer on the island of Réunion, near Madagascar.  In 1998, Laurent decided to change direction and enrolled in viticultural school in the Var.  Emmanuelle already had a degree in Wine Commerce, but went back to school to learn the production side of the business. Their studies brought them together with great winemakers from various regions of France, and as they learned from these experienced producers, they gained a deep respect for the unadulterated expression of the fruit so prevalent in naturally-made wines.
There is nothing average about this husband-and-wife team of enologists:  they consider every detail with both brainy enthusiasm and heart.  These eco-conscious artisans could never be accused of not walking their talk, either. They adhere to organic methods in the vineyards and are now also incorporating biodynamic practices, adding even stricter discipline to their intense workload. Their winemaking process allows the natural character of the wine to speak for itself, with minute doses of sulfur, no fining or filtration, and bottling during optimal weather conditions when the atmospheric pressure is just right. Their Côtes de Provence “Clos de la Procure” is sourced from a rocky, terraced site, influenced by cooling winds from the Mediterranean. The wine never sees a pump and everything is done by hand, from harvest to bottling.

Domaine Larue

In 1946, Guy Larue founded his family’s estate in the small hamlet of Gamay, in Saint-Aubin, located just behind the famed Montrachet and Chevalier-Montrachet slope. Much like its neighbor Chassagne-Montrachet to the south, Saint-Aubin was historically known for red wine, though the Larues have specialized in the great white crus of Saint-Aubin. In 1976, Guy’s son Denis assumed the reins of Domaine Larue and was joined by his brother, Didier, in 1982. In 2006, Denis’s son Bruno joined the Domaine, thus continuing the family’s winemaking lineage.

The Larue holdings are spread between the two villages of Saint-Aubin and Puligny-Montrachet, with a large concentration at the southern portion of the Saint-Aubin appellation. These holdings include seven premier cru climats, on south, southeast, and southwestern facing slopes, grown on variations of clay soils with a high concentration of limestone. Combined with the varying grades of slope and elevations ranging from 800 to 1200 feet, the Larues have a truly magical diversity within Saint-Aubin, one of the under-rated gems of Burgundy. The domaine's premier cru vineyard in Puligny-Montrachet, La Garenne, sits at a high altitude in the Hameau de Blagny, bordering Meursault. Their largest parcel, Saint-Aubin premier cru “Murgers des Dents de Chien,” shares its name with the Dents de Chien lieu-dit of Le Montrachet that is right around the corner and is the domaine's prized vineyard, capable of producing wine that can age and improve in the bottle for decades.

Wines from Larue possess purity, energy, and an invariable minerality derived from the predominant limestone soils of Saint-Aubin. The Larues are meticulous and precise in all aspects of winegrowing and winemaking and their wines reflect these qualities. Tasting the full range is a veritable tour of the appellation, with each terroir’s individual and striking signature clearly evident. These wonderful white Burgundies have the additional benefit of being approachable young, although they are tightly wound and can always benefit from a few extra years of bottle age.

Baldin

To say that the DOC of Bramaterra is in the northern area of Piedmont is an understatement. Bramaterra is about the same distance from Zermatt, Switzerland to the north as Barolo is from the Ligurian coast to the south, benefiting from more of a mountainous than a maritime climactic influence. It’s another world, another terroir, and another culture from what we now consider to be the traditional Nebbiolo country of Barolo and Barbaresco. One highlight of these differences is that in these northern parts, Nebbiolo is grown, but it’s referred to by its local name, Spanna.

Enter Matteo Baldin, who in 1997 began making wine in a minuscule cellar he inherited from his maternal grandparents. Previous to the launch of his own estate, Matteo worked in nearby Gattinara. His calling, though, was always to return to his home village of Lozzolo to make Bramaterra DOC.

Matteo is a fierce advocate of the Bramaterra style. Unlike the many other Nebbiolo focused appellations of Piedmont, Bramaterra can have up to 20% Croatina. Though there is a trend away from using larger amounts of Croatina in his village, he believes that to make an elegant and typical Bramaterra, you need to stick with the traditional blend and work hard to achieve optimal maturity of each grape.

His plantings are modest with just 1.5 total hectares planted to vine, on slopes rich in clay and volcanic porphyry. The vines are densely planted, Guyot trained, and receive organic treatments. Matteo’s goal is to obtain high quality grapes with low yields.

Matteo is a focused and driven individual, carving out a living in a way that few choose to these days. His approach to wine and life are deeply intertwined:

“The terroir must emerge and balanced wines better speak my language of simplicity. Speaking through the wine, the aromas, and the flavor of my land, all makes me happy, satisfied. Balance, simplicity, terroir, instinct. These are my cardinal points. This is my little cellar.”

Maison Arretxea

The Basque country lies along the southwestern border of France and Spain, deep in the dramatic Pyrénées mountains. The eleventh century monks of Roncevaux made wine to cater to a population of tourists—religious pilgrims traveling through the mountain pass from France on their way to Santiago de Compostella in Spain. However, throughout the centuries, wine production dissipated drastically. Although Irouléguy was awarded its own A.O.C. in 1970, by the late twentieth century, most of the remaining vignerons were selling to the local cooperative. And then along came Michel and Thérèse Riouspeyrous…
Just after losing his father at the age of thirteen, Michel was raised by his grandfather, with whom he worked in the family farm and vineyards. He eventually gravitated towards studies in Agronomy before the mandatory service militaire sent him to Africa for duty. While in Africa, Michel met Thérèse, an Alsatian who was on vacation. They married and returned to Michel’s home in the Southwest in the early eighties. In 1989, they decided to start their own domaine by renting two hectares of vineyards. The decision to farm organically came rather instantaneously to Michel. Once certified as organic, he and Thérèse pushed on towards the next logical progression: biodynamics. Juxtaposed against a backdrop of co-op wine that has come to categorize the appellation in recent decades, the Riouspeyrous seem even more radical—not only for bottling their own wine, but also for farming it as they do. For Michel and Thérèse, it just translates into a more authentic expression of the grape. A mere glimpse of their steep, terraced land, amid beautifully lush wildflowers, set against the white peaks of the Pyrénées, with sheep grazing on the soft, aerated soils in between vineyard rows, makes it easy to see what inspired such a decision.
The majority of their eight hectares are planted to the native grape varietals, Tannat (red), Gros Manseng and Petit Manseng (whites). The sandstone soils of Irouléguy are ideal for these grapes because they are streaked with iron oxide, mica, silica, limestone, clay, and dolomite. The mineral diversity lends an intensity to the wines, making them wild, earthy, tannic, and rich in spicy aromas. Full southern exposure allows the Riouspeyrous to achieve ripeness in these cooler climate vineyards. They vinify each terroir individually through traditional vinification methods to bottle four delicious cuvées. Their rosé is what Dixon Brooke calls, “a winter rosé”—deep in color, generous in fruit, with unusually pronounced tannins, it is the perfect accompaniment to grilled sausages.

Domaine La Tour Vieille

The vibrant little seaport town of Collioure is nestled on the Mediterranean coast, just north of the Spanish border, in the area known as French Catalonia. In 1981, Vincent Cantié and Christine Campadieu took over two small, family-owned domaines where they had grown up, in Collioure and Banyuls, respectively. Together, they farm vineyards planted on steep, schist terraces overlooking the sea, where they are constantly exposed to the fierce and wily wind known as “La Tramontagne.” This constant wind not only ensures naturally low yields, but also keeps the grapes free of mildew with little need for pesticides or copper sulfate. Their vineyards are so steep that cultivation must be by hand, and extensive irrigation canals and walls (all made from the schist rock) are their only prevention against soil erosion, although there is almost no soil left to recede! These canals snake down the hillsides, separating the parcels. At harvest, the grapes are carried up and down the mountain in baskets. This method of farming, while extremely challenging, preserves the traditions of their ancestors. Such ideals have inspired two documentaries, Wine From the Heart by Yasha Aginsky (2002), and a short film sponsored by Project NOÉ for the defense of the European viticultural heritage.
Though the majority of the Tour Vieille holdings are planted with Grenache Noir, they also work with Grenache Gris, Grenache Blanc, Macabeo, Syrah, and Carignan. They have several single vineyard bottlings of Collioure, and several cuvées of Banyuls, from Christine’s family’s holdings. Banyuls, neighbor of Collioure, sits only two kilometers from the Spanish border; it is famous for its fortified wines. Tour Vieille also produces a wide range of practically extinct late harvest and extended elevage white and red wines, the ultimate meditation wines at the end of a meal. The heart, soul, and hard work that go into crafting these wines make their labor of love all the more delicious.